For undergraduate courses in Introduction to Film, Introduction to Cinema, and Film and Drama.

Designed to help students analyze movies with precision and technical sophistication, this book focuses on formalism-how the forms of the film (e.g., camera work, editing, photography, etc.) create meaning. It retains the same principle of organization as its predecessors-structuring chapters around the realism-formalism dichotomy-while it updates each chapter to integrate more recent developments, contemporary films, and personalities in the field.

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