For third-year undergraduate courses in Tonal Counterpoint, Baroque Analysis courses, courses on the music of Bach and Handel, and graduate courses in Counterpoint and Baroque Music.

This informative text teaches writing and understanding Baroque counterpoint. Unique in approach, Baroque Counterpoint  uses extensive quotations and examples from contemporaneous treatises; the authors explain the principles underlying the compositional techniques of the period, introducing students to the widest range of composers of any of the books currently available. It emphasizes singing and improvisation as well as writing.

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